Awards: 2005 Institute Award for Architecture
Recipient: SPF:a
Project: Somis Hay Barn; Somis, Calif.
Client: Steven Sharpe; Somis, Calif.
Photo: Zoltan Pali, AIA
 

   
 
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Communication: Key to Compensation

Edward Joseph Shannon, AIA, Elgin, Ill.
 

I am a professor of architecture and operate a sole-practitioner architecture office in the Chicago suburbs. Most of my projects are residential.  I do between 8 and 12 projects a year, mostly additions to older homes and occasionally a custom vacation house. I enjoy doing these small projects.  As a husband and father, working directly with families as my clientele is very fulfilling. Helping clients expand and update their homes with a one-of-a-kind architectural solution is both challenging and rewarding.  I prefer to work on numerous small projects and believe these projects are a good fit with the demands of being a full-time architecture professor.  I also believe I can teach better because I practice-and practice better because I teach.

While I find practicing to be rewarding and fulfilling, I have monthly overhead expenses that must be paid. These include rent, telephone, professional liability insurance, office equipment, and the occasional contract-drafting people I hire. For me to stay in business and provide the services my clients value, it is imperative that I collect fees in a consistent and timely manner. How do I do that? I have found that written and verbal communication is the key.

Communicate Before Taking a Project
My telephone rings. A prospective client is inquiring about my services. I ask a few standard key questions: Who? What? Where? When? How much? Do you have a builder? Obtaining this data will help me determine whether this a project I can do or even want to do. I will, in turn, tell them about my expertise, how I run a typical project, and various aspects of the design and construction processes. Prospective clients will typically have some questions of their own and inevitably will ask, "How much do you charge?"

I try to avoid quoting a fee over the telephone. I explain to the prospect that only after an initial meeting (typically at the project site) can I gather enough information to generate a written proposal. What I can offer at this point is to send them, by fax or e-mail, a fact sheet about my office. The fact sheet explains the fee in terms of a range based on a percentage of construction costs. It also explains typical project duration.  These, I believe, are two of the biggest misconceptions that prospective clients have about procuring architectural services. Even though I do not charge my fees based on the "percentage" method, these numbers can help prospective clients determine whether they can afford my services.  I ask prospective clients to review the information and call me back to discuss it. I also explain to them that for a consultation fee (a flat fee based on approximately two hours of my time), I can meet with them at their site. I explain to them that the consulting fee will be rolled into their project fee if they hire me.

Obviously, not every project is meant to be, and inevitably some people do not call me back. Many people in the residential sector are shell-shocked at what architectural services cost. When given the opportunity, I explain in greater depth what I do and how a good design and well-detailed construction documents can actually save them money. Over the years I have come to realize that most people's expectations of what a set of drawings costs come from the ads they see in home plan magazines. I explain to them that those plans cost thousands of dollars to produce but are discounted because they are sold in volume. I also explain that I am providing a service—a one-of-a kind architectural experience—not just a set of plans.

When a client calls back, I schedule a meeting to learn as much about the client and project as possible so I can put together a well-informed proposal. At this point, many potential clients are anxious for a solution to their renovation dilemmas. It is most important to explain to them that design is a process and that it will take some time to generate intelligent schematic solutions for a project. I explain to them the six phases of a project (predesign, schematic, design development, construction documents, bidding/contractor negotiating, and construction) and my role in them.  In addition to a portfolio, I bring a set of drawings for a similar project and explain to them what goes into a set of construction documents. Once again, this is an opportunity to reiterate to prospective clients what they are paying for.

Communicate While Negotiating a Fee for a Project
My typical proposal is usually three pages in length.  Among other things, it explains the following:

  • The scope of the project as I understand it
  • Each phase of the project and the portion of the total fee allocated to each phase. Although I charge a stipulated sum (flat fee), I base my fee on my time expressed in hours. This justifies my fee, and I have rarely had a client dispute how much time it should take for me to do their project.
  • Additional project expenses for the owner
  • Terms for additional services
  • Stipulations for changes in project scope
  • When I can begin their project
  • Invoicing terms.

The proposal also asks for a retainer. This is to be applied to the client's final payment or, in the case of family and friends, their initial payment. Payment of a retainer ensures that they are committed to the project and helps to keep the cash flow going. The proposal explains that I will schedule the project upon receipt of the retainer and that all projects are scheduled on a first-come, first-served basis. It also explains that final drawings will not be released until all balances are paid in full. In a couple of unfortunate cases, this has given me some leverage for clients who were slow or unwilling to pay.

Communicate During the Project
Invoicing is monthly, and payments are due within 10 days of receipt. Architects have a natural tendency to invoice at certain project milestones or at the end of each phase. I believe it is essential, however, to invoice on a consistent basis to meet monthly demands of my overhead and salary. Clients sometimes expect to be billed at project milestones, too, and I have explained to them how I run my business and that this is what we had agreed to.

Clients who miss a payment get a friendly telephone call. Perhaps they forgot. In most cases, the telephone call will remind them of their obligation. It also provides an opportunity to keep the clients informed of the progress of their projects.

Communication is the building block of the architect-client relationship.  I want my clients to feel they are getting the best value for their hard-earned dollars. Getting paid consistently allows me to better provide quality services that will ensure this. This is accomplished through effective written and verbal communication prior to the establishment of a written agreement and throughout the duration of the project.