Awards: 2003 Institute Honor Awards for Architecture
Project: Snow Barn, Will Rogers World Airport; Oklahoma City, Okla.
Firm: Elliott + Associates Architects
Client: Department of Airports
Photo: Robert Shimer/Hedrich Blessing Photography
 

   
 
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IFRAA: Masters of Light
Rome, Italy
October 10 - 18, 2008
 
IFMA World Workplace
Dallas, TX
October 15 - 17, 2008
 
CHA Women and Children's Hospital
Web Seminar
October 22, 2008
 
The Peter and Paula Fasseas Cancer Clinic at University Medical Center North
Web Seminar
October 28, 2008
 
Biomimicry for a Sustainable Built Environment
Atlanta, GA
October 29 - 31, 2008
 
View Calendar
 
 
 
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2008 AIA NATIONAL DESIGN AWARD FOR HEALTHCARE

 

In 2008 the American Institute of Architects (AIA) and the Academy of Architecture for Health (AAH) initiated the AIA National Healthcare Design Awards program. Continuing the AIA’s legacy of celebrating outstanding works of contemporary architects, the new awards program showcases the best of healthcare building design and health design-oriented research.

Winning projects exhibit conceptual strength and solve aesthetic, civic, urban, and social concerns as well as the requisite functional and sustainability concerns of a healthcare facility.

Awards Categories:

Category A: Built, less than $25 million (construction cost)
Category B: Built, more than $25 million (construction cost)
Category C: Unbuilt
Category D: Innovations in Research, Planning, and Design Research

 

2008 Winners:

Cha Women & Children’s Hospital
KMD Architects

Design Solution:
Designed to comply with strict height and bulk limitations the CHA Women’s Hospital brings to a dense, suburban Seoul neighborhood a sleek, gleaming, modernist building catering to avant-garde Korean women comfortable with (and demanding from their healthcare provider) the aesthetic of high-couture shops, spas, hair salons and restaurants sweeping Asian capitals today. The CHA brand encompasses all aspects of women’s health and maternity services from in-vitro fertilization to a chic line of maternity and children’s clothes, again to satisfy a unique market niche. This new hospital is among the first in Korea to offer a full array of advances from the United States such as LDR, water birthing and participation by family members in the birthing process that are taken for granted stateside. However, to meet Korean expectations, one entire floor of the hospital is given over to an extended stay spa, wherein wealthy Korean women remain up to one month after birthing.

Improvements:
Given its very dense urban site, the hospital is planned to maximize the benefits of natural light as well as to provide patient, visitor and staff access to the outdoors from public areas. This design concept dates back to the early 1970’s, when our firm sponsored a study that employed UCLA architecture and nursing students to observe and inquire about patient, staff and visitor preferences and their use of hospital waiting areas. Because the study predated the single care room era, the waiting spaces on patient care floors and in hospital lobbies were especially important and used extensively by families not allowed in patient rooms as they are today. This study was a precursor to future work by others that have offered additional studies and testimony for the need for a choice of waiting areas, access to the outdoors and the inclusion of “green” elements within hospitals (all goals still relevant to Korean hospitals today having a majority of their beds in multi-bed rooms).

Design Features:
The aesthetic of this novel hospital is contrary to common U.S. perceptions for a warm and cozy, supportive hotel-like environment for birth centers. CHA celebrates high technology but tempers it through the inclusion of elements from traditional Korean architecture, such as wood, plants, water features and organic forms contrasting with glass, aluminum and stainless steel. Both inside and out, the design focus is on creating sleek, uncluttered surfaces to offer patients and visitors a respite from the surrounding neighborhood’s visual noise. Organic, flowing interior surfaces offer warmth with a central, curved vertical wood slat wall flowing from top to bottom, connecting various functional areas and natural gathering spaces for patients, families and friends. Natural light flows through vast windows and a central atrium. A variety of open-air areas foster natural interaction and relaxation. The rooftop features a diverting and restful sky garden. Patient room windows rely on a dot pattern of changing densities to filter light and provide privacy while keeping interiors bright. The glass curtain wall serves as a veil of comfort, providing a sense of shelter without separating patients from the outdoors.

Ecological Impacts:
The hospital’s ecological impact is minimal. The half-block site is surrounded by four-story commercial and residential buildings and faces the larger CHA Bundang Hospital across the street. Because of the site’s small size the building program required four levels above grade and four below (for parking and support services). Our primary design goal was to enhance the hospital experience through the maximization of daylight for greater patient and visitor satisfaction, as well as improved inpatient outcomes through unique approaches for introducing and controlling daylight and creating a sense of privacy in patient bedrooms in a dense urban setting. A second, equally important goal is the introduction of natural forms, plants, materials and water features throughout the hospital, but to do so within the building itself (in stark contrast to the harshness of the surrounding neighborhood). Nearly all floors of the building, from the basement to the rooftop garden, become accessible respite areas for patients, staff and visitors, either visually or by experiencing the outdoors and ever-changing Korean weather, effortlessly, alone or in groups.

 

The Peter and Paula Fasseas Cancer Clinic at University Medical Center North
CO Architects

Design Solution:
After extensive interviews with the client’s representatives (patients, nurses, physicians and administrators) it became clear that they wanted a place like no other; a paramount clinic with a peaceful feel, non-institutional and spa-like, a light-filled place for healing and hope. Removed from the institutional setting of the acute care hospital, the comprehensive cancer clinic invokes the power of the desert landscape to define it as a place of inspiration and healing. The visual and physical access to the outdoors provides patients and staff at this intimately scaled facility with a connection to the healing power of nature. Through the integration of the three courtyards into the building’s organization, the extensive natural desert landscape and the distant views of the mountains, Tucson’s rugged natural beauty has been incorporated into the patient’s and staff’s daily experience. All elements of the building’s design are intended to relate to the natural landscape. Arizona sandstone, plaster and metal panels are used on the exterior. Trellises and covered entries provide shade from the sun. Interior finishes include natural materials or materials made from natural products, such as stone flooring and wood paneling. The color palette is neutral earth tones. Interior spaces are washed with soft, indirect light.

Improvements:
Cancer patients who are undergoing treatment are physically weak, emotionally frail and are insecure about their appearance. Design features of the clinic and the services that are offered acknowledge this and attempt to provide an environment and an experience that is supportive as well as healing. Patients arriving at the clinic are protected from the elements by the large entry canopy (valets take care of the parking). As they enter the building they are greeted by a concierge who guides them to their particular destination. Throughout the building there are places to sit and view the gardens because the patients easily tire. As the patients get to know the facility they have a choice of entering directly into each of the three clinics which are accessed from the healing gardens – a more discreet and private access. In addition to the clinical services of infusion therapy, imaging and outpatient exams there is an array of patient amenities: a Resource Center to learn about cancer care; private rooms for massage therapy and yoga; a boutique offering soft clothing and a salon to help patients cope with hair loss and other side effects of the treatment; and a gourmet café with outdoor dining.

Design Features:
Research has shown that “humans are hard-wired to experience natural environments as restorative” –Roger Ulrich, 1991.The project is exemplary in how the experience of the building is so connected to the natural world. Here, the science and art of healing converges; medicine and technology is integrated with a healing environment closely linked to nature. The infusion therapy and exam rooms are organized around the courts and are all provided with restorative views. The waiting rooms, public spaces and corridors look out toward the garden and the distant mountains. The sandstone wall at the main entrance is pulled away from the building, creating a shaded area that serves as a “porch”. It is a transitional element that protects the glass on the south-facing side and sets the tone of the building. The trellises on the east and west sides of the building are important shade elements that give light and shadow to the building and also visually extends the inside towards the outside, integrating the interior and exterior. The bridges that span the arroyo are a symbolic element – as you cross the bridge you are leaving the parking lot and are entering a healing environment full of hope.

Ecological Impact:
At the time UMC purchased the 17 acre site it accommodated facilities that were once a general hospital, then abandoned and in disrepair - an eye sore along a major street in Tucson. The cancer clinic project retained an existing two story building that fronted Campbell Avenue. The building was stripped down to its structure, the courtyards were cut into the original floor plate and square footage was added in both the north and south directions. The cancer programs were originally located at the Health Sciences Campus and had no real identity due to their location in the basement level of a research building. The people in Tucson were largely unaware of its existence and reputation. When the clinic opened last year it transformed the city block along Campbell Avenue into “a hip jewel in the desert”. The gardens and the soft pallet of the local sand stone are a sharp contrast to the previous abandoned building and dirt lot. There is now an identifiable cancer care program that the community and the region can see and identify with.


Shenzhen Third People's Hospital
TRO Jung|Brannen

Design Solution:
Demand for better healthcare facilities in China has increased, resulting in a wave of new hospital construction. Chinese hospitals have typically been designed as narrow buildings with low floor-to-floor heights that relied on natural ventilation. These building forms accommodated important aspects of traditional Chinese design but they were cold and damp in winter, hot and humid in summer. Contemporary Western designs, with large floor plates and high floor-to-floor heights, are more comfortable and efficient, but are less culturally appropriate in China. The design team created a hospital that blended traditional Chinese forms with Western technology. The design solution is a campus with a linear spine and a series of narrow buildings that are curved to capture sunlight and channel the winds. Although the buildings will have internal mechanical systems consistent with those found in U.S. hospitals to halt the spread of infection, the campus organization locates infectious patients downwind and offers them the natural healing power of sunlight and serene garden views. The building is situated so it has prevailing southeasterly winds; therefore, the non-infectious zone is at the south end of the campus with the semi-infectious zone in the center and the infectious zone at the north.

Improvements:
Controlling infection is a major problem in Chinese hospitals. Poor ventilation and obsolete mechanical systems are typical in almost all of China’s pre expansion hospital facilities. Often clinical areas are open to natural ventilation which could be catastrophic in a specialty hospital such as this. By segregating patients according to disease type and using state of the art mechanical systems and isolation practices, the fear of contagious disease spreading between patients, staff and visitors is controlled. Pedestrian traffic is organized the same way keeping public and staff separated while also allowing for efficiency and ease of movement.

Design Features:
The treatment of the separation and circulation hierarchy makes this hospital unique. Patient and administrative services comprise three zones: infectious, semi-infectious, and non-infectious. The infectious zone has four buildings for infectious diseases, including liver and hepatitis, viruses, tuberculosis, and severe respiratory diseases. The semi-infectious zone contains diagnostic treatment and outpatient clinic space, and a research building, while the non-infectious zone includes administrative offices and staff housing. No internal connections exist between these three zones. The addition of a research facility within the campus environment and the capacity for large numbers of patients in the event of a major epidemic are also unique. Building designs are compact allowing for efficient sharing of services. Forms emphasize patient care and ease of circulation and the design stresses its public presence on site and reflects the highly technical nature of the medical care being provided. The buildings are clean and modern, constructed with high-tech materials, selected to give the hospital an international appearance, with durability and cost as factors influencing the choice of each building system. Glass is the predominant exterior material, exposing views, maximizing opportunities for light, and providing a transparency for patients whose diseases require them to be separated from others.

Ecological Impacts:
The predevelopment use of the site was an industrial plant, with generally negative impact to the surrounding ecology. The new facility is an improvement to the site, with extensive landscaping throughout including roof gardens and campus green space. The channeling of prevailing winds is a significant factor in the environmental impact of the site and determined the physical shape and orientation of most of the buildings. Because the mission of this hospital is to treat infectious diseases, handling of clean supplies and contaminated materials is critical to the design. The safe removal of soiled material is carried out through a series of special dedicated and secure corridors beneath the ground level of the clinical buildings, transitioning from less contaminated to more contaminated as it moves. These passages are not crossed by clean supplies or by circulating medical staff. Soiled material ends up at special docks located at the farthest ends of each of the four bed towers, at which point the material is either removed from the site or disposed of by the environmental control staff. Care is taken to avoid back contamination, with material always moving north, like the wind, away contaminated areas.

 

Weill Greenberg Center
Polshek Partnership Architects / Ballinger

Design Solution:
The Weill Greenberg Center establishes a new institutional identity for the Joan and Sanford I. Weill Medical College of Cornell University and heralds a new era in personalized medicine. Inspired by the tranquility of a spa environment, the design of this world-class Center optimizes the patient experience to promote health and healing and reinforces the institution’s state-of-the-art clinical services. Moreover, its singular identity and its being the first of the College’s clinical facilities on the west side of York Avenue distinguish it from the clinical image of New York Hospital; integrated into the everyday fabric of the City, it presents an elegant, reassuring and welcoming face for healthcare. Sheathed in a waterwhite ceramic-fritted, facetted glass curtain wall, selected for its translucent qualities and experiential richness, the 330,000 sf, 15-story building symbolizes the progressive identity of the institution. From the interior, the translucent skin subdues the hustle and bustle of the city. Natural materials constitute the material palette of the public spaces. A series of water features and intimate seating alcoves enhance the sense of calm and ease patient stress and anxiety.

Improvements:
The Weill Greenberg Center is a Pebble Project, a research program developed by the Center for Health Design. Research has shown that a well-designed facility can reduce stress in patients as well as healthcare providers, resulting in improved patient outcomes. Throughout the design and construction process, the building was evaluated for its contribution to evidence-based design. Design features that contribute to the creation of a calm and effective patient experience include: diffuse natural light, the use of water both for its aural and its visual features, and natural materials for their tactile, visual and associative characteristics. Large windows on the perimeter provide views of the city and maximize daylight, orienting patients and visitors. Temperature is carefully balanced and managed in patient spaces. Translucent art walls, comfortable furnishings arranged in clusters, and comprehensive, private staff facilities contribute to the high standard of care provided by this outpatient facility. In addition to there being computers on every floor that patients may access in connection with their conditions, the Patient Resource Center on the second floor is a comfortable open space and library dedicated to patient education.

Design Features:
The design for the Center combines state-of-the-art medical education, ambulatory care and clinical research in one singular identity, which provides a new face for healthcare. The building includes a state-of-the-art teaching and testing facility. Its 12 enlarged exam rooms simulate outpatient and inpatient settings: medical students interact with “standardized patients” in realistic, controlled environments where they learn to obtain medical histories, diagnose conditions and communicate treatment options. Faculty assess students through two-way mirrors, and cameras, microphones and intercom systems assist with training, allowing in-depth analysis and constructive feedback among standardized patients, students and faculty. The facility also includes a case study room for training, web conferences and remote viewing to the building’s clinical areas. A Patient Care Simulation Center uses a robot to simulate many symptoms and patient scenarios for student training. A Computer Aided Visual Environment space, a learning lab for computational biomedicine, allows students and faculty to experiment through a 3D immersion environment. A separate 3D virtual-reality theater allows researchers to visualize interactions within and among cells. Wireless technology is used throughout the building, and sensors are used to control lighting in offices and teaching spaces.

Ecological Impacts:
Replacing an unsightly parking lot, the Center is the first stage in Weill Cornell Medical College’s master plan to create a campus west of York Avenue. Linked by a central atrium, the new unified research, academic and clinical facilities will help to reverse the image of the College, which currently occupies disparate, disconnected and outdated buildings. This complex is intended to fulfill the institution’s mission to provide the finest education for its medical students, to conduct cutting edge research, to improve the health care of the nation and the world, and to provide the highest quality of clinical care to the community. In addition to providing a much needed urban campus for the College, these new buildings will positively contribute to the architectural quality of the neighborhood's street life. The design of the fritted glass curtain wall, which is cut into long vertical facets, veils the building, generating a softness and depth for the building’s undulating reflective surface. From the interior, this translucent skin subdues the bustle of the city and shapes the flow of natural light. The repetitive geometries and unitized construction methods of the curtain wall allowed an economical construction process that contributed to the project’s on-budget completion.